Writer, interviewer, and heavy reader George Salis returns to the podcast, this time to discuss Alexander Theroux’s Fables with David. The two tackle a list of maximalist topics: deep cuts of vocabulary (real and invented), the forever ongoing inclusions of edits and additions that make a work expand even after being published, and, well, lists themselves. Salis also provides insight into the world of Theroux via his past interviews with the writer and involvement in the publishing process of Fables.
Grab a copy, give this latest episode a listen, and check out Salis' work at The Collidescope. May your sentences be long, your word choices intricate, and your fables dark.
David, Eric, and Nick seek out some mid-summer spookiness in Shirley Jackson’s acclaimed We Have Always Lived in the Castle and instead find a compact work that is much more complicated than the horror themes, accessible sentences, and vaguely young adult-ish book cover (thanks Penguin Classics) lead one to believe. Cheers to Jackson for walking the line between genre and literary fiction and forcing the reader to sit with a story that has all the trappings of a murder mystery, but none of the virtuous resolutions. Perhaps we are all lacking the ability to communicate across societal lines, forever content in our ever-shrinking castles after all.