David, Eric, and Nick dive into The Vegetarian, a 2007 novel by Han Kang that, after its English translation, won the 2016 Man Booker International Prize. This compact work will appeal to anyone interested in tightly architected narrative structures, complex questions of individual agency, and visceral scenes situated right next to moments of quiet contemplation.

 

One’s ability to choose, well, anything at all is not quite so black and white, is it?

Nathan, David, and Nick tackle Sodom and Gomorrah, the fourth volume of Marcel Proust’s In Search of Lost Time. They discuss how groundbreaking it was at the time to so openly write about homosexuality, the noticeable increase in the narrator’s presence in the book’s happenings, and the increased level of action in play (at least in comparison to prior volumes, that is).

Listen in as you continue on your own Proust journey and remember: It’s okay if you can’t pronounce French names either.

Seth — aficionado of difficult fiction and driving force behind WASTE Mailing List — joins the podcast this episode to chat with David about the endless gifts to be found within the endless layers of Thomas Pynchon’s The Crying of Lot 49. Pynchon-lite it is not! Encompassing both the absurd and the prophetic, this early work by the reclusive author covers everything from embedded allusions to the cultural tumult of the 1960s, distrust of any and all formal systems, and a prescient view of the future of communication (cough, the internet, cough). But perhaps the most meaningful conclusion to draw from Pynchon’s work is the absence of drawn conclusions. It’s messy out there, readers.

Grab a copy, give it a read, give it another read, then take a listen. And make sure to check out Seth’s work at WASTE Mailing List’s Youtube and Instagram.

David, Nathan, and Nick continue their journey through Marcel Proust’s In Search of Lost Time, this time discussing the third volume, The Guermantes Way. While this one might very well be “a middle book” — and by proximity, this episode “a middle episode” — there is continued brilliance to be enjoyed (if one can make it through the marathon salon scenes, that is). Come for the deep dives on The Dreyfus Affair, stay for the masterful ending. And just remember: You’re halfway home.

Writer, interviewer, and heavy reader George Salis returns to the podcast, this time to discuss Alexander Theroux’s Fables with David. The two tackle a list of maximalist topics: deep cuts of vocabulary (real and invented), the forever ongoing inclusions of edits and additions that make a work expand even after being published, and, well, lists themselves. Salis also provides insight into the world of Theroux via his past interviews with the writer and involvement in the publishing process of Fables.

Grab a copy, give this latest episode a listen, and check out Salis' work at The Collidescope. May your sentences be long, your word choices intricate, and your fables dark.

David, Eric, and Nick seek out some mid-summer spookiness in Shirley Jackson’s acclaimed We Have Always Lived in the Castle and instead find a compact work that is much more complicated than the horror themes, accessible sentences, and vaguely young adult-ish book cover (thanks Penguin Classics) lead one to believe. Cheers to Jackson for walking the line between genre and literary fiction and forcing the reader to sit with a story that has all the trappings of a murder mystery, but none of the virtuous resolutions. Perhaps we are all lacking the ability to communicate across societal lines, forever content in our ever-shrinking castles after all.

David, Nick, and Nathan reconvene to continue their Proust pilgrimage, this time tackling the second volume, Within a Budding Grove. There is discussion around the narrator’s age — whether it be twelve or twenty-two, Proust certainly has a knack for combining the idealism and naiveté of youth with the insight and wisdom of adulthood. There is discussion around the book’s repetition of similar events and themes and how it is used to advance the book’s common aesthetic. And there is discussion around that (infamous?) wrestling scene between Gilberte and the narrator and just exactly what was transpiring amidst the perspiring.

At the very least, this one is chock-full of wonderful Proust quotes, the beauty of which (we hope) carries the episode on its own.

David, Eric, and Nick spend a beautiful Saturday doing what they love: wading into the tides of the irrational, crushing systems in which we have existed, currently exist, and will continue to exist. In other words: Discussing Franz Kafka!

 

Three of Kafka’s short works provide more than enough to chew on, whether it is The Judgment and its quick turn from mundane to surreal, A Country Doctor and its full-blown phantasmagoria, or In the Penal Colony and its melding of mental and bodily anguish. Kafka’s brand of malaise hits just as hard now as it presumably did one hundred years ago — and as it presumably will one hundred years from now.

 

So grab yourself a spot out in the sun, mix up a nice Mai Tai, and listen in as we discuss humanity’s unavoidable contract with the daily absurd.

No more searching is necessary. It’s time. It’s time to read In Search of Lost Time by Marcel Proust, that is. And we here at Books of Some Substance will be doing just that, starting off with this episode on the first volume, Swann’s Way.

Listen in as David, Nick, and Nathan begin this long journey by attempting to summarize the actual events in the book (likely to be a recurring challenge); by scratching the surface of the concepts of remembering via the senses, attempting to slow down the passage of time, and the tension between the world of the material vs. the world of idea; and by simply getting lost in passage after passage of beautiful prose.

If you enjoy this episode, know that there will be five more on their way. We’ll be releasing a Proust episode every two months as we continue reading this masterpiece. If you’ve always had In Search of Lost Time on your to-read pile, now is as good of time as any to dig in and join us. Come for the madeleines, stay for the memories.

David, Nick, and Nathan dive into Bohumil Hrabal’s short novel Closely Watched Trains in this latest episode of the podcast. One part coming of age tale, one part (somewhat) epic tale of resistance, and one part celebration of life’s beautiful banality, this compact work will have you simultaneously smirking and wincing as Hrabal somehow weaves the lightness of youth in with the darkness of living under Nazi occupation in World War II. Grab a copy, give it a quick read, maybe even watch the brilliant Jiří Menzel film adaptation, and listen in for the discussion.

It is a homecoming of sorts. Sixteen years after David made Nathan read Jorge Luis Borges, the two return to discuss the great Argentinian writer in an episode that has as many labyrinths (well, not quite) and is as infinite (also probably not true) as every one of Borges’ short stories. And while this episode does have a finite beginning and a finite end and can only focus on three of the hits (Tlön, Uqbar, Orbius Tertius, The Library of Babel, and The Garden of Forking Paths), the two still can’t seem to entirely wrap their heads around the author’s rapid world building, extremely high ratio of ideas vs. word count, and surprisingly playful nature. It’s safe to say that we at Books of Some Substance think Borges is pretty cool.

Take the litmus test: Read some JLB, then be our friend.  We’ll see you at the end (or at the beginning).

Renata Adler’s Speedboat starts and stops, accelerates and leaps, soars and crashes just like some sort of . . . well, you get it. Join David, Nathan, and Nick as they discuss this compact novel filled with vignettes of 1970s life and all of the sardonic observations that come along with it. But do the vignettes combine to create something more impactful? Is the book funny?  And how does one define humor in literature anyway?

Listen in for our own starts and stops as we talk our way through this intriguing little book and try to define the indefinable.